Who Were They?

Lost and forgotten photos from the past

Directly to the right of our “bewildered” subject in the last post is this woman in her amazing bustle dress. This is definitely late bustle (1882-1889) because of the size and prominence of the bustle, plus the gorgeous drape with what looks like velvet trim on probably wool gaberdine or the equivalent. I picture this in rose red velvet and nut brown wool, which was popular on the fashion plates of the time. Again the photographer is Hartley, a popular choice for the family.

We are just over half way through the Dobb Long Book. Coming up in the later images will be a few names. I desperately want to post them now, but I think the album order was important to the person who put it together. I’ll try to post more often so we can get to the names and Iggy can work his magic. :-)

PS Feeling much better – my daughter has shared two cases of stomach flu so far this winter, ugh! Thank you for your well wishes!

This guy looks like he is wearing high waters with the high waist of his trousers! His bow tie is also a bit crooked, jacket sleeves a bit rumpled, looking all the world like a bewildered child. We are just over half way through the Dobb Long Book and nary a new name for Iggy to pursue. So frustrating!

I’m a bit under the weather today so perhaps Iggy or someone else will enjoy searching on the photographer, Wm. Meyer & Son of Chicago.

UPDATE: According to “Chicago photographers, 1847 through 1900 : as listed in Chicago city directories” Wm Meyer was at the address on the photograph from 1884 to 1888. In 1889 he moved to 755 Clybourn and was located there until 1895. He moved again and finally was no long listed after 1899.

I guess this would date the photo to 1884 to 1888.

Thanks, Iggy!

This photo has been cut down from its original size so that it fits into the opening in the page. You can see the inaccurate cutting on the right had margin. Unfortunately, it resulted in the photographer’s information being cut off. The subject looks to be about 14 years old, and for some reason he makes me think of Thomas Edison – though they look nothing alike. Could this be a younger version of the possible son of Nina Dobb? How I wish we had some more names to work with!

This is a proud Sepia Saturday post. Please click through and visit some of the other fabulous sepia submissions from around the world!

This cabinet card from the Dobb Long Book is placed next to the funeral card of Mrs. Nina Dobb, which we previously looked at a few weeks back. I can only assume – based on how I personally assemble photo albums – that this young man was close to or related to Nina Dobb. He also bears some resemblance to our mustachioed entry the other day. Could these have been Nina’s husband and son?

Another Hartley Chicago photo. This was clearly a favorite photographer of the family.

First, let’s talk about the subject of the photograph. He is a broad shouldered man with a handsome face, strong jaw and impressive mustache that turns up on the ends. His hair is neat and tidy. He has a flower in his lapel. He wears a vest under his wide-lapeled coat, a very wide tie and a white shirt. You can even faintly see a white kerchief in his breast pocket. The photo has some damage across what is his left breast and shoulder area, but otherwise it is a beautiful, clean image of a good looking man. This photo is from the Dobb Long Book and suggests to me that this family had means. Not only because they were able to amass 57 cabinet cards of the family, but because of the photographers they used. They patronized the best. They just didn’t identify their photos, boo.

On to the photographer, because that is where the real exciting information lies.  This is another probable collodion print, this one made by William Morrison in Chicago. While searching for information on the photographer for date information, I discovered that he was the Annie Liebovitz of his day, photographing celebrities and enjoying some fame for his work. Having his business in the Haymarket Theatre building, he enjoyed close proximity to many stage actresses, both house actors and those with traveling groups. The Haymarket Theatre opened in 1887 with seating for nearly 2500, and had spaces for shops on one side of the building with the theater on the other side. Businesses in the building included dentists, doctors, saloons, jewelers and real estate agents, as well as Mr. Morrison. December 3, 1893 the New York Times carried an article about a fire in the building which completely gutted the offices & shops, but the theater was saved from much damage. The greatest loss was the 37,000 negatives in Mr. Morrison’s photography studio. Assuming they were just the negatives from his time at that location, he made over 9000 photos a year!

The businesses were rebuilt and Morrison continued his career. He was active in Chicago between 1875-1900, with the years 1889-1900 spent in the Haymarket Theatre building. By the mid 1890s, the Haymarket Theatre was a popular vaudeville house, and in the run up to the Great Depression it was known as a burlesque house. It finally was abandoned and was condemned in 1949. Be sure to click through to the Cabinet Card Gallery as they have some really fantastic images of actresses at the time who sat for Morrison.