Who Were They?

Lost and forgotten photos from the past

Mounted Tin Types 10 W

If only she could have smiled

Here is a second beautiful tintype made by C. L. Lovejoy in Philadelphia, PA. Lovejoy’s materials claimed the subject would be “Finished in Fifteen Minutes” a claim that modern photographers can hardly make even with digital processing. This particular image features the lovely embossed edging around the oval opening, showcasing the image preserved for our perusal some 150 years later. The corners of the card were again clipped, suggesting the card had squared corners, a more 1860’s trait.

The subject appears to have on small earrings and a ribbon choker. Her collar was a folded over affair made of lace, and she has a large bow tied at her throat. She may also have an oval brooch in the center of the bow. While her countenance does not appear to be anything other than ordinary, Lovejoy managed to add a bit of blush tinting to her cheeks, making her look a bit more welcoming than an untouched photo might imply.

 

Mounted Tin Types 7 W

Is this a repeat subject?

Mounted Tin Types 7 Back W

Lovejoy’s Studio mark

This tintype photograph looks remarkably like the fellow we saw back before the holidays, who had his portrait done by T. M. Saurman. The resemblance is strong, so it’s either the same man or his brother. This photograph features some hand tinting on the bowtie, making it pink. The backmark shows that this image was made at Lovejoy’s at 429 North Second Street, Above Willow, Philadelphia PA. I found a match to C. L. Lovejoy who was apparently known for his exquisite hand coloring work! He was known to be in business during the 1870s, however I must point out that the corners of this card have been cut and that is typical of 1860s cards. It is possible he bought these cards right at the end of the 60s or bought out old stock from another photographer. In January 1870, Lovejoy was the outgoing president of the Ferrotypers Association of Philadelphia – ferrotypes being another name for tintypes.

Check back again for another Lovejoy image next time!

 

Mounted Tin Types 4 W

Mounted Tin Types 4 Back W

 

This is Grandmother Ridge, Caroline Elizabeth Ridge – Jane Bucks’ mother. She looks a bit like she doesn’t trust the photographer. I did find a Caroline Ridge, married to James Ridge, living in Maryland during the 1850 census, and one of their children was named Jane.

James Ridge (about 1809)

Caroline (about 1814)

Riley (about 1829)

Silas (about 1789)

Jane (about 1835)

Elizabeth (about 1837)

Merrit (about 1841)

Susan (about 1843)

Caroline (about 1848)

James (1850)

James the elder, Riley and Elizabeth were listed as farmers. Of course, I cannot be certain this is the correct family of Caroline Ridge pictured.

 

 

Big bonnet

Big bonnet

Today’s photograph is a tintype in an embossed card holder virtually identical to the one of our previous baby. The only difference I can find – outside of the quality of the embossing – is that this paper sleeve has the mark “Patent Applied For” while the baby photo does not. This particular photo does not have the T. M. Saurman mark covering the back of the tintype, and so I cannot know for sure if that is who made it.

The woman in the photograph is showing off quite a lot of her finery. A wide collar, golden brooch, sheer shawl, fancy bonnet and a veil folded to the back. In the past, I would have immediately assumed the veil was indicative of mourning. However, in my recent exposure to some 19th century clothing experts, I learned that veils were worn as a type of sun block. The veil, often in black and dark green, muted the brightness of the sun and allowed the wearer to more comfortably walk in the sun. This veil appears to have some type of lace pattern on it. The dress, collar and bonnet all are 1850s fashions, but I believe this is an 1860s image. Whether it was reproduced after the fact (I don’t think so) or she liked these clothes (more likely) we cannot really know. It is a lovely image with fine hand tinting on her cheeks and the brooch is delicately gilded as well.

Mounted Tin Types 8 W

Baby with a shawl

Before I gave you all those wonderful Christmas cards, I teased you about a tintype that would make you say “awww.” Well, two months later, I hope you didn’t hold your breath, but here it finally is!

This baby was photographed by T. M. Saurman, as were several previous portraits (to view them click on the category T. M. Saurman under photographers). The child’s hair was carefully parted over the forehead, suggesting to me that this is a girl. The shawl may be for looks, or may be a way to tie the baby to the chair. It also appears there is *something* to her left, like the arm of a parent. The mount features embossed scrolling to frame the image with dramatic and beautiful effect.

Ooh, baby it's a smile world

Taken at T. M. Saurman’s Superior Skylight Gallery

Unfortunately for us, the baby and her supposed parents were not identified.