Who Were They?

Lost and forgotten photos from the past

 

 

This young fellow is in the space next to our “fanciful” lady of the last post. However with a dearth of names, I cannot tell you if they were related or not. I noticed that the chair he is sitting in is rather tattered along the fringe. Perhaps an indication that the studio was doing a bustling business, or that they were incredibly frugal. The photographer in question was McLaughlin & Nimmo, who had a “new and improved skylight” such that it warranted mention on their cards. The skylights were very important to a photographers business because they did not have artificial lighting that was effective at improving an exposure. You may have noticed that studios were often on the second floor of a building – lending themselves access to skylights. It is also interesting to note their pricing – Cartes de Visite were $2.50 per dozen and a large photograph and frame was $3.00. They also mention tinting of photos, which leads me to wondering if his tie has been tinted or if there is an unusual stain on the photo. What do you think?

 

From spot #13 in the Leather CdV Album we feature a very decorated lady! Her hair is arranged in a double crown of braids with a side curl. Her dress is covered with an item that I can only describe as a fischu, although I don’t think it is one. The item can best be compared to today’s dickie, in that it is a single piece that pulls over the head, except in this case they were worn over the bodice of a dress. I am confidant there is a name for it and perhaps one of our clothing historian visitors can enlighten us.

The photographer in this case was Bachrach of the Central Photographic Art Gallery, located at the Northeast corner of Kulaw & Lexington streets in Baltimore, MD.

UPDATE: Thanks, usermattw, for the information on the photographer. Bachrach is considered the oldest continually operating photography studio in the world! Click through to the comments for a link to their site, and while you are at it, maybe you should check out Pics of Then, which is Matt’s site, an outstanding old photo blog that I subscribe to and enjoy very much!

 

A handsome young man poses for his portrait in profile in the studio of T. L. Darnell in Cumberland, MD. This photo is definitely in the 1870s. The style of mount is rather common for that decade. This man’s hair is wavy but brushed back from his face. He has a bow tie and you can just see his vest under his coat.

 

This image occupies spot #10 in the Leather CdV Album and is directly next to the photo of Milton Hendrickson, making me wonder if this might be Laura Smouse Hendrickson. She is a truly lovely woman with fine grooming that shows her attention to detail in her appearance. Her hair is wrapped around the crown of her head and also pinned up, with a beautiful sausage curl draping from the back over her shoulder. The sausage curls were very popular during the 1870s and were available as a false piece to add to the coif through various ladies magazines. A woman could also use her own hair, of course. They were notoriously difficult to attain and they stretch out quickly if a person’s hair does not hold curl well.

Notice that the photo was made by Guterkunst as was the portrait in spot #2, which makes me wonder if these two are brother and sister or otherwise related. Laura Smouse was born in Pennsylvania, and while it is pure conjecture, if this is her then photo #2 could be a brother.

To see all previous entries from the album, click on the category Leather CdV Album.

 

 

I like to think of this photo as “composed” not just in the sense that the subject appears calm and collected (i.e. composed) but also that the photographer took the time to compose the image. Recently I was reading about the process of setting up a photograph and was reminded that the view inside the camera (under the black cloth) was upside down. Just imagine that you were planning a photo to look just right, and then imagine that every time you checked to ensure it looked good, it was upside down! The early photographers really did need to have some artistic ability to not only create a compelling image, but also to just see everything upside down. The mind can process an image upside down, but it takes some getting used to. The photographer in this case was Darnell (T. L. Darnell / Thomas Darnell) of Cumberland, MD.

This is also the only photograph in the album with a full name: Milton Hendrickson. I found quite a lot of information on him. Milton C. Hendrickson was born April 25, 1849, and had at least two brothers – Finley C. and Somerfield. In the 1870s he married Laura Smouse (August 31, 1850 to June 6, 1887). Together they had seven children – Harry in 1873, Earnest in 1875, Jessie in 1878, Myrtle in 1879, Clark in 1881, Lulu in 1883 and another child I can’t find a name or date on. Milton was a farmer and school teacher who lived in and around Cumberland and Gross his entire life. After Laura passed away in 1887, Milton apparently continued with his life of farming and teaching school. Sometime in the 1910s, he married Ella (born 1893). One account indicates that they had two young children together which is impressive as Milton would have been in his 60s at that point. He died August 26, 1923 at the age of 74. Perhaps a family member will be searching on Milton or his family and find this blog!